Plays

Godfriend is about us—or, a couple like us. Trying to decide whether or not to have a baby, a queer couple becomes possessed/obsessed with the Public Universal Friend, a colonial Quaker preacher who claimed God renounced them of their gender. It's the feeling when you love someone so much that you start to feel like the same person, whether that person is your partner, your child, your god, or your friend.

Production, Cohen New Works Festival, April 2025

Anton Chekhov’s The Seagull opens with a play within a play, its creator Treplev insisting “We need new forms!” In Once In A Hundred Years, a company of actors tries to recreate Treplev's play. But can anyone make art that is truly “new”? A metatheatrical event that tries to break open both Chekhov’s play and the theatrical form, over the span of hundreds of years.

Production, University of Texas at Austin, February -March 2025

Staged Reading, Powerhouse Theater at Vassar College, July 2023

New Guy's not actually new, he's just new to being a guy. Tell that to his longtime coworkers, who scramble to treat him differently now that he's One Of The Guys. New Guy should be up for Promotion, but Buddy the boss doesn't recognize him. Oh, and Buddy's a giant furry monster, but no one seems to notice... About how the bizarre demands of binary gender affect the way we take on roles in the workplace and beyond.

Methuen Drama Book of Trans Plays, Volume 2 (upcoming)

Staged Reading, Cohen New Works Festival, April 2023

A fraught breakup, a late-in-life discovery of queerness, a lesbian's murder weaponized by the press, all contend for space in the foyer of a Queens apartment building. A chorus of rats in the LIRR station brings us back to 60s gay bar raids, white flight, and the New York Times fucking everything up. About how systems of power weaponize our identities against each other, and what it would take to heal.